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On stage, Fishbone performs like an aged fighter backed into a corner and down on points. At the High Noon Saloon in Madison on Friday night, the band reinforced their reputation as uncompromising musical pioneers and thick-headed stalwarts even as bar-band doom stares them in the face.
After years of self-imposed exile from music-making, Jeff Mangum and his underground-rock group Neutral Milk Hotel have seen cult-like audiences grow in their absence — one that sees the group as indie-rock messiahs. Their concert in Madison on Saturday night was a second coming that proved miracles really do happen.
Let’s face facts. When most people think of the Twin Cities, images of blizzard-like conditions and bitter, breathless cold crystallize in their minds as fast as a Minnesota quick-freeze.
Rock legend Elton John gave a Vegas-honed performance Thursday night in Madison that paraded some of the greatest pop-rock songs of the ’70s, ’80s and ’90s in front of America’s Dairyland. And this without any assists from Cirque du Soleil.
Like the hobbled hero from some Hollywood movie, a clearly ailing Levon Helm rallied his strength during Tuesday night’s performance to give those who gathered at a downtown Milwaukee casino an enthralling lesson in American roots music.
Long stuck in the shadow of the metal titans Queens of the Stone Age, the Eagles of Death Metal have so primed their swaggering, rock ‘n’ roll engine that no one will mistake them for a hot-rod side project again. Their recent concert in Madison, Wis., demonstrates their groove-oriented tunes can shake hips as well as preconceptions.
Besides indie-rock hipsters, there was something else that filled Chicago’s Metro on Monday night for TV on the Radio’s sold-out concert: Doubt.
Continuously outshone by Jack White and the White Stripes, the Ohio-based neo-blues duo the Black Keys is finally poised to claim the spotlight with their new, Danger Mouse-produced album. Oddly, they do so by largely shunning the blues. Continue reading
Years of bad albums and sagging sales have eroded R.E.M.’s standing in the rock world from alternative-rock giants to rock star has-beens. The group’s new album, “Accelerate,” kicks into high gear the effort to reverse this trend, but then it grinds to a screeching halt. Continue reading
With 40-year-old soccer moms and bohemian punk-rock lifers moshing together at the front of the stage, Los Angeles punk legends X returned to Madison on Friday night for what might have produced a snide snicker in their late ’70s scene: a reunion tour. Continue reading
In honor of St. Patrick’s Day, we examine how an unexpected Oscar win last month by two Ireland-based artists should spur interest in them and their erstwhile bandmates’ musical output. Continue reading
More than two decades after the Rock and Roll Hall of Fame inducted its first artists, the organization now appears like it’s scraping the bottom of the barrel for its latest class. Read our preview of Monday night’s ceremony. Continue reading
More than 15 years after their closest sideswipes with fame, ex-frontmen from a pair of alternative rock’s biggest couldabeens have joined forces and cut a new duet album. This time, the duo is hoping their combined efforts will allow them to finally grab that brass ring. Continue reading
No longer content to play second fiddle in buzz group Band of Horses, guitarist Mat Brooke formed his own group, Grand Archives. The ensemble’s debut album, “The Grand Archives,” is an intriguing start that begs expansion. Continue reading
Challenged with overcoming his own mental health issues and musical limitations, Daniel Johnston has persevered by creating pure and simple pop songs. The cult singer-songwriter demonstrated the magnetic qualities of his music during his set in Milwaukee on Thursday night. Continue reading
Playing before the biggest audience (live and at home) that they’ll probably ever have, Tom Petty and the Heartbreakers’ performance during the Super Bowl XLII halftime show on Sunday night was as well-rehearsed and executed as the lights and pyrotechnics. Continue reading
Over four albums and years on the road, the Mars Volta has stubbornly stuck with their game plan that emphasizes a frantic and relentless sonic attack. The prog-rockers’ stubbornness pays off on their new album, “The Bedlam In Goliath,” which is their most consistent assault on listeners’ senses. Continue reading