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On stage, Fishbone performs like an aged fighter backed into a corner and down on points. At the High Noon Saloon in Madison on Friday night, the band reinforced their reputation as uncompromising musical pioneers and thick-headed stalwarts even as bar-band doom stares them in the face.
After years of self-imposed exile from music-making, Jeff Mangum and his underground-rock group Neutral Milk Hotel have seen cult-like audiences grow in their absence — one that sees the group as indie-rock messiahs. Their concert in Madison on Saturday night was a second coming that proved miracles really do happen.
Let’s face facts. When most people think of the Twin Cities, images of blizzard-like conditions and bitter, breathless cold crystallize in their minds as fast as a Minnesota quick-freeze.
Rock legend Elton John gave a Vegas-honed performance Thursday night in Madison that paraded some of the greatest pop-rock songs of the ’70s, ’80s and ’90s in front of America’s Dairyland. And this without any assists from Cirque du Soleil.
Like the hobbled hero from some Hollywood movie, a clearly ailing Levon Helm rallied his strength during Tuesday night’s performance to give those who gathered at a downtown Milwaukee casino an enthralling lesson in American roots music.
Long stuck in the shadow of the metal titans Queens of the Stone Age, the Eagles of Death Metal have so primed their swaggering, rock ‘n’ roll engine that no one will mistake them for a hot-rod side project again. Their recent concert in Madison, Wis., demonstrates their groove-oriented tunes can shake hips as well as preconceptions.
Besides indie-rock hipsters, there was something else that filled Chicago’s Metro on Monday night for TV on the Radio’s sold-out concert: Doubt.
Bob Dylan is a man of many mysteries. Answering those questions and uncovering the man behind the myth is the primary task of two new books, “Down the Highway: The Life of Bob Dylan” by Howard Sounes and the latest edition of Clinton Heylin’s biography, “Bob Dylan: Behind the Shades Revisited.” Continue reading
In the latest batch of new releases — Dave Navarro, Lucinda Williams, Whiskeytown, R.E.M. and D.J. Logic — there are artists in various stages of their careers, but all are attempting to break new ground and redefine themselves. Continue reading
Two years ago, Prince strolled onto a stage in front of a Twin Cities crowd and grabbed everyone’s attention from the start by strumming the menacing riff that leads into “Sign ‘O’ The Times.” At Saturday night’s show in St. Paul, Minn., most people didn’t even notice him when he snuck onstage for a cameo appearance during the opening act. Continue reading
May’s batch of new releases from veteran artists brings into question the maxim of “respect your elders”. Continue reading
With more than 25 years in music that have seen him evolve from a thrashing, “cowpunk” rocker to an alt-country bard, singer-songwriter Alejandro Escovedo has certainly watched some great songs pour out of his pen. His new record, “A Man Under The Influence,” is the ultimate example. Continue reading
A newly released BBC documentary, “Man In The Sand,” takes viewers on the journey that saw Billy Bragg and Wilco attempting to put music to incomplete works by folk-music icon Woody Guthrie. In the process, the musicians literally follow in Guthrie’s footsteps, visiting the places that he stopped in America’s heartland and giving an insider’s view of the recording process. Continue reading
While a reissue of Marvin Gaye’s masterpiece, “What’s Going On,” threatens to leave listeners in a a state of permanent excitation, two other new releases — Daft Punk and most of all, the Melvins — quickly quell that feeling. Continue reading
Too long surrounded by an army of like-minded longhairs, singer-songwriter Devendra Banhart is beginning to outgrow his handle as the prophet of “freak folk.” His new album documents a maturing artist who has grown into a songwriter and performer of surprising utility. Continue reading
Paul Simon’s new album, “You’re The One,” carries a sense of the understated. The album’s serene songs, which seem to move and weave with a strong sense of effortlessness, hover only a bit louder than silence. They remain low-key, like shy wallflowers at a school dance. Continue reading
Both Live and Counting Crows are tried-and-true alternative rock bands who slid into heavy video rotation on MTV in the ’90s. At a co-headlining show in Minneapolis on Wednesday night, this double feature reinforced how they won mainstream appeal. Continue reading