The introspective, bearded singer-songwriter Ray LaMontagne has already attracted a dedicated audience despite a pronounced onstage shyness. In a recent concert in Madison, Wis., this support seemed to nudge him closer and closer to revealing the folk-rock soul man aching to get out. Continue reading
With a new album hitting stores, New York art-rock combo TV on the Radio is presented with the unenviable task of wowing fans as they did with their much-praised, post-9/11 masterwork, “Return To Cookie Mountain.” But for the follow-up, the band skews heady expectations and instead throws a New Wave dance party. Continue reading
As a performer, singer Neko Case is an intoxicating presence to be seen as well as heard. On Friday night’s concert in Madison, Wis., the country-rock songbird with the golden pipes mesmerized the audience whether it was with old favorites or the unfamiliar brand-new songs. Continue reading
Free at last from the hits-only brainwashing of longtime producer Bob Rock, Metallica has recorded a new album that takes the metal icons back to the days when they were the reigning kings of high-octane thrash. So does this mean that they’ve rediscovered themselves? Or are they simply impersonating themselves? Continue reading
The Roots and the Black Keys spearheaded an eclectic slate of underground acts at the SoCo Music Experience, a free-admission festival on Saturday in Madison, Wis. Despite the event’s birth as elaborate marketing ploy, the show exceeded expectations, attracting sonic connoisseurs and offering a lesson in musical appreciation. Continue reading
Perhaps acting under the deluded belief that some of their fans have been hanging tough through their two-decade absence, ’80s boy band New Kids on the Block has reunited and cut a new album of mature, loverman-type songs. Find out if these former teen idols still have the right stuff to win them back. Continue reading
Spurned by his former patrons, gangsta rapper the Game has carved out a musical niche that isn’t aligned with Dr. Dre’s West Coast or 50 Cent’s East Coast dominions. Unfortunately, this style, as exemplified on his new album, is little more than a star-sponsored imitation celebrating gangsta-rap’s golden age. Continue reading
“Changes are no good” is something that the Stills sang about on their debut album, but the Canadian indie-rockers learned the lesson the hard way when their “difficult” second disc took a nosedive upon release. The band’s brand new record resurrects their old sound to win back the disillusioned rock hipsters. Continue reading
Already secure in his place as the imaginative, whiny voice of the emo generation, Bright Eyes’ frontman Conor Oberst has embarked on a solo career that leaves behind much of what we’ve come to expect from him. His new, self-titled album dumps overwrought songwriting confessionals for the sweet and simple sounds of country-rock. Continue reading
If you ever wish your favorite rock gods would just rawk out like they used to, the Hold Steady aims to satisfy. The Brooklyn, N.Y., quintet is an indie-rock sensation by championing and recreating the big, dumb sounds of the ’70s and ’80s. Their new album is more of the same. Continue reading
Soundbytes Music Column 